Indeed, it's just one example of a theme that defines Original Sin 2: nothing is as it seems, and there's always another way of thinking about a situation. It's a revelatory feeling, and it isn't the first or last time that Original Sin 2 evoked such a sensation within me. Looking for a secret passage in a dungeon? Maybe there's another, less fortunate adventurer floating around you can glean some advice from. Remember that murder you were investigating? Never mind finding the murder weapon or an incriminating letter, just ask the victim whodunit. You've been given the keys to a whole new reality, and it's going to unlock a lot of doors. They wander through the streets, linger amongst revelling tavern patrons, hover over battlefields staring at their own corpses.
Suddenly, the world becomes alive with the dead. In Original Sin 2, it's like putting on the glasses in John Carpenter's They Live. In other games, this would be a neat gimmick useful in a few specific circumstances. Cast "Spirit Vision" in any given area of its massive, detailed world, and any nearby souls waiting in the queue to the afterlife will be revealed to you, their transparent outline glowing with a greenish hue. About halfway through Original Sin 2's campaign, you acquire the ability to talk to ghosts.
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